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Museo Salvatore Ferragamo: Across Art And Fashion

At totally different venues in the environs of the Museo Salvatore Ferragamo in the center of Florence, an exhibition named ‘Across Art and Fashion’ (Tra Arte e Moda), that encompasses clothing, accessories, fabrics, works of art, books, periodicals and pictures, considers the often-mentioned relationship between style and artwork.

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‘In the final 10 years, artists have been reflecting on the commercial facet increasingly’, in accordance with Stefania Ricci, director of the Ferragamo Museo. ‘And trend designers are utilizing art more too’, she continues, ‘in research and inspiration’.

With the weighty backdrop of Florence’s historical past as a meeting place of artists and incubator of artwork, it’s solely fitting that Salvatore Ferragamo selected Uffizi Gallery, the Nationwide Library, Museo Marino Marini and the museum of Textile in Prato as its collaborators. ‘Within the Renaissance, there was no difference between art and craftsmanship’, Ricci remarks, and that’s the place Mr Ferragamo, the Florentine shoe designer comes into the picture.

There is no such thing as a query that he was deeply fascinated by avant-garde artwork, as a lot as he was fascinated by the glamourous Hollywood world he outfitted with elegant footwear. He collaborated with each Dior and Schiapparelli, and bedecked each Audrey Hepburn and Peggy Guggenheim.

Ferragamo took quite a lot of inspiration from the colourful works of Sonia Delaunay and from Kenneth Noland’s circular abstraction, and alongside these items contemporary designers like Yohji Yamamoto and Issey Miyake share the plinths with Yinka Shonibare, a Nigerian artist who uses African waxprint textiles in 19th century silhouettes, and Martin Margiela, Helmut Lang and Gareth Pugh. ‘Primarily, they all deal with the issue of the body’, concludes Ricci. As did Salvatore Ferragamo, who produced his finest work in the 1920s and 1930s, and who will go down in trend history as the shoe designer who artfully altered our silhouette from the bottom up.

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